堆漆ペンダント | Pendant with Urushi Carving
  • 堆漆ペンダント | Pendant with Urushi Carving
  • 堆漆ペンダント | Pendant with Urushi Carving
New
Primary Sale
Message from Tatsuya Matsumoto sensei This work employs the Chōshitsu (carved lacquer) technique, in which patterns are carved into layers of lacquer built up on the surface. The technique originated in China during the Tang Dynasty and flourished in the Song Dynasty. In modern times, it developed in Takamatsu as a method of carving into vividly colored multi-layered lacquer.
  • Year of Production
    -
  • Artwork Dimensions
    L 3.4 x W 2.8 x H 0.5 cm
  • Shared Box
    No
  • Material
    Materials: Layered lacquer panel, gold beads (18K) Fittings: 14K gold bail; chain: silver with rhodium plating, 50 cm adjustable
  • Technique
    Chōshitsu (carved lacquer)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    AsukaⅡ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Ships from mid-June onward (after the return of the Asuka II), on a rolling basis.
堆漆ペンダント | Pendant with Urushi Carving
  • 堆漆ペンダント | Pendant with Urushi Carving
  • 堆漆ペンダント | Pendant with Urushi Carving
ついしつぺんだんと

堆漆ペンダント | Pendant with Urushi Carving

Tatsuya Matsumoto
Member of Japan Kōgei Association
UrushiPrimary saleNew

Bid/purchase currency: Japanese yen

Price (including tax)
¥
55,000
  • Year of Production
    -
  • Artwork Dimensions
    L 3.4 x W 2.8 x H 0.5 cm
  • Shared Box
    No
  • Material
    Materials: Layered lacquer panel, gold beads (18K) Fittings: 14K gold bail; chain: silver with rhodium plating, 50 cm adjustable
  • Technique
    Chōshitsu (carved lacquer)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    AsukaⅡ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Ships from mid-June onward (after the return of the Asuka II), on a rolling basis.
Tatsuya Matsumoto

Tatsuya Matsumoto

Japan Kōgei Association

Urushi

Tatsuya Matsumoto
  • 1991

    Received the Mitsukoshi Award at the 31st Traditional Kōgei New Works Exhibition

  • 1993

    Received the Japan Kōgei Association Award at the 33rd and 36th Traditional Kōgei New Works Exhibition

  • 2002

    Received the Asahi Shimbun Award at the 19th Lacquerware Traditional Kōgei Exhibition

  • 2003

    Received the 50th Anniversary Award at the 50th Japan Traditional Kōgei Exhibition

  • 2006

    Received the Japan Kōgei Association Award at the 22nd Lacquerware Traditional Kōgei Exhibition

  • 2014

    Participated in the 19th MOA Mokichi Okada Awards Exhibition (MOA Museum)

  • 2020

    Received the MEXT Award at the 37th Lacquerware Traditional Kōgei Exhibition

  • 2023

    Received the President’s Award of the Japan Kōgeikai at the 70th Japan Traditional Art Crafts Exhibition

I mainly work with the chōshitsu (carved lacquer) technique, which is one of the urushi techniques. Chōshitsu lacquer is a time-consuming and labor-intensive technique in which dozens of coats of lacquer are applied and sharpened repeatedly. Carving knifes tailored for chōshitsu are used to carve out the lacquer layers to express patterns. I hope you enjoy traditional Japanese chōshitsu works. I also hope that we can pass on the Japanese tradition to the next generation.

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堆漆ペンダント | Pendant with Urushi Carving
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堆漆ペンダント | Pendant with Urushi Carving

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Applying for Fixed Price Sale

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堆漆ペンダント | Pendant with Urushi Carving

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堆漆ペンダント | Pendant with Urushi Carving
Applying for Fixed Price Sale

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堆漆ペンダント | Pendant with Urushi Carving

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彫漆箱「波光」 | Box with Design in Lacquer Carving “Wave Light”
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