A Story Inherited from Sado

— Introducing the “Niigata” Room

Sado’s Mumyoi Ware in Harmonious Dialogue — “Niigata” Room, ASUKAⅢ Meets 47 Prefectures Introducing the Sculptural Artworks

 

Sado’s Mumyoi Ware in Harmonious Dialogue ──“Niigata” Room, ASUKAⅢ Meets 47 Prefectures

Introducing the Artworks

 As part of the “ASUKAⅢ Meets 47 Prefectures” initiative aboard the cruise ship ASUKAⅢ, which set sail on July 20, ARTerrace has collaborated with NYK Cruises Co., Ltd. and Anchor Ship Partners Inc. to curate a unique experience celebrating the cultural essence of each prefecture through individually designed guest rooms.
 This project seeks not only to highlight the richness of Japan’s regional cultures through tailored interior design, but also to foster connections—between people, between individuals and localities, and among the regions themselves—thus contributing to revitalization across the country.
 
 
 
  For the “Niigata” room, we focused on Sado’s renowned ceramic tradition known as Mumyoi-yaki, which utilizes mumyoi-do—a vivid red clay rich in iron content, extracted from the foothills of Sado Kinzan, Japan’s largest historical gold mine. Once valued for its medicinal properties, mumyoi is now prized for enhancing the taste of tea, coffee, or even beer when served in Mumyoi-yaki vessels.
  On display are two exquisite sake cups crafted by successive generations of the esteemed Itō family, custodians of this Important Intangible Cultural Property. Though differing in style, both works embody the unique beauty of Mumyoi-yaki.
 

 ▼ Mumyōi Sake Cup with Kiln Effects — by Sekijin Itō

 (Fifth-generation Itō Sekisui, Living National Treasure)

 Mumyōi Sake Cup with Kiln Effects — by Sekijin Itō (Fifth-generation Itō Sekisui, Living National Treasure)

Mumyoi Yōhen Sake Cup — by Sekijin Itō (Fifth-generation Itō Sekisui, Living National Treasure)  

 Created by Sekijin Itō, the fifth-generation Itō Sekisui and a Living National Treasure, this sake cup features a striking interplay between the vivid red characteristic of mumyoi clay and a gentle charcoal gray. Its defining feature is the yōhen (kiln-transformation) surface—natural variations in glaze and color that emerge through the unpredictable interplay of flame, oxygen, and kiln placement. Each piece thus bears a one-of-a-kind landscape, never to be replicated.

 

▼Mumyōi Sake Cup with Lined Design — by Ito Sekisui VI

This work by the sixth-generation Itō Sekisui exemplifies a refined contemporary sensibility grounded in tradition. It features the yūzōgan (glazed inlay) technique, in which a first glaze layer is carefully carved and a second glaze is embedded like an inlay—resulting in delicate, metallic-like linear patterns reminiscent of fine metalwork. Melding traditional mumyoi clay with innovative glazes and decoration, this piece exudes a modern, gender-neutral aesthetic.
 
 ★This work is available for purchase on the ARTerrace website ★
    
 
※ Wall-mounted and sculptural works in guest rooms are presented for decorative appreciation only.