蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
New
Primary Sale
Message from Murose Tasuku sensei The Dōdan-tsutsuji (Enkianthus perulatus), a deciduous shrub that turns strikingly vibrant as the cold deepens, is the subject of this work. The deeper the chill, the more intense the reds become, sometimes blending with shades of vermilion and yellow to create delicate gradations. This piece focuses on the dignified and radiant appearance of the shrub as it heralds the approach of winter. On the exterior of this kōgō (incense container), the changing colors of the Dōdan-tsutsuji leaves are depicted, with gold and platinum powder applied in maki-e decoration. The interior of the lid is adorned with finely crushed green turban shell using the raden technique, evoking a gentle, layered light reminiscent of sunlight filtering through the trees. Through this combination, the work conveys the presence of life within nature and a subtle sense of the heart gently unfastening.
  • Year of Production
    2024
  • Artwork Dimensions
    Ø 7.0 cm × H 3.0cm
  • Shared Box
    Yes
  • Material
    zelkova wood, lacquer, gold powder, platinum powder
  • Technique
    Maki-e (sprinkled gold)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
  • 蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"
まきえこうごう「ふゆともし」

蒔絵香合「冬燈し」| Incense Container with Design in Makie "Winter Light"

Tasuku Murose
Member of Japan Kōgei Association
UrushiNewPrimary sale

Bid/purchase currency: Japanese yen

Price (including tax)
¥
1,650,000
  • Year of Production
    2024
  • Artwork Dimensions
    Ø 7.0 cm × H 3.0cm
  • Shared Box
    Yes
  • Material
    zelkova wood, lacquer, gold powder, platinum powder
  • Technique
    Maki-e (sprinkled gold)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
Tasuku Murose

Tasuku Murose

Japan Kōgei Association

Urushi

Tasuku Murose

Surrounded by the deep mountains of Ibaraki, my studio is immersed in nature. Drawing inspiration from the natural environment I encounter there, as well as from the concept of “flow,” I express the shifting of seasons and the transformations of time and space through the technique of togidashi maki-e (polished-out maki-e).
My engagement with lacquer art has been made possible by the existence of urushi-producing regions where the raw material—lacquer sap—is cultivated. I believe that a new economic framework is needed, one that includes the upstream aspects of craft production, such as planting and nurturing urushi trees. Since relocating to Ibaraki in 2023, I have been personally involved in planting and managing lacquer fields. In addition to creating works, I am committed to actively communicating the intrinsic appeal of urushi itself.
By shining a light not only on the individual skills of the artist, but also on the foundational materials and the regional communities that sustain them, I hope to contribute to preserving and transmitting Japanese crafts in ways that are both broad and enduring.

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