

Bid/purchase currency: Japanese yen

Surrounded by the deep mountains of Ibaraki, my studio is immersed in nature. Drawing inspiration from the natural environment I encounter there, as well as from the concept of “flow,” I express the shifting of seasons and the transformations of time and space through the technique of togidashi maki-e (polished-out maki-e).
My engagement with lacquer art has been made possible by the existence of urushi-producing regions where the raw material—lacquer sap—is cultivated. I believe that a new economic framework is needed, one that includes the upstream aspects of craft production, such as planting and nurturing urushi trees. Since relocating to Ibaraki in 2023, I have been personally involved in planting and managing lacquer fields. In addition to creating works, I am committed to actively communicating the intrinsic appeal of urushi itself.
By shining a light not only on the individual skills of the artist, but also on the foundational materials and the regional communities that sustain them, I hope to contribute to preserving and transmitting Japanese crafts in ways that are both broad and enduring.