宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
On display
New
Primary Sale
Message from Tomoya Murose sensei This work explores the radiant beauty of life, as it is born and fades away in a perpetual cycle.
  • Year of Production
    2025
  • Artwork Dimensions
    W 8.5 x D 8.5 x H 3.0 cm
  • Shared Box
    Yes
  • Material
    gold powder, green turban shell, pigments, silver (bezel setting)
  • Technique
    Maki-e (sprinkeld gold), Raden (mother-of-pearl inlay)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
  • 宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e
ほうかまきえごうす

宝華蒔絵合子 | Covered Vessel with Design of Auspicious Floral Motif in Maki-e

Tomoya Murose
Member of Japan Kōgei Association
UrushiOn DisplayNewPrimary sale

Bid/purchase currency: Japanese yen

Price (including tax)
¥
3,300,000
  • Year of Production
    2025
  • Artwork Dimensions
    W 8.5 x D 8.5 x H 3.0 cm
  • Shared Box
    Yes
  • Material
    gold powder, green turban shell, pigments, silver (bezel setting)
  • Technique
    Maki-e (sprinkeld gold), Raden (mother-of-pearl inlay)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
Tomoya Murose

Tomoya Murose

Japan Kōgei Association

Urushi

Tomoya Murose
  • 2017

    Received the New Artist Award at the 34th Lacquerware Traditional Kōgei Exhibition Received the New Artist Award at the 64th Japan Traditional Kōgei Exhibition

I primarily work using the togi-dashi maki-e technique.
I combine the foundational skills I learned in Wajima with the advanced techniques I acquired in Tokyo to create my pieces.

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