道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
Primary Sale
On Display
Message from Morihito Katsura sensei It expresses a tiger beetle leading you to a tranquil place.
  • Year of Production
    -
  • Artwork Dimensions
    ø 7.0 x H 3.7 cm
  • Shared Box
    Yes
  • Material
    Gold, Silver, Gold copper alloy, Shell
  • Technique
    Chōkin (chiseling), Niku zōgan (relief inlay)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
  • 道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel
Living National Treasure
みちしるべ こうごう

道導べ(ハンミョー) 香盒 | Guidance "Tiger beetle" Covered Vessel

Morihito Katsura
Living National Treasure / Holder of Important Intangible Cultural Property "Chōkin (Chiseling)"
MetalPrimary saleOn Display

Bid/purchase currency: Japanese yen

Price (including tax)
¥
2,200,000
  • Year of Production
    -
  • Artwork Dimensions
    ø 7.0 x H 3.7 cm
  • Shared Box
    Yes
  • Material
    Gold, Silver, Gold copper alloy, Shell
  • Technique
    Chōkin (chiseling), Niku zōgan (relief inlay)
  • Artwork Condition
    New, unused
  • Format
    Actual artwork available (with certificate)
  • Authenticity Determination Data
    Available
  • Storage/Exhibition Location
    Asuka Ⅲ
  • Seller
    ARTerrace
  • Scheduled Shipping Date, etc.
    Approximately 1 month (Please note that delivery may vary depending on the artist’s confirmation of the work and the schedule of the vessel where the work is exhibited).
Morihito Katsura

Morihito Katsura

Japan Kōgei Association

Metal

Morihito Katsura
  • 1966

    13th Japan Traditional Crafts Exhibition – Japan Kogei Association Award

  • 1967

    14th Japan Traditional Crafts Exhibition – Japan Kogei Association Award

  • 1975

    5th Japan Metalwork Exhibition – Encouragement Award (‘77, ’78, ’98)

  • 1978

    Ishikawa TV Award ('86) 32nd Hokuriku Cultural Award

  • 1987

    Japan Flower & Tea Vessel Art and Craft Exhibition – Governor of Tokyo Award (Highest Prize)

  • 1991

    Ishikawa Prefecture Cultural Promotion Encouragement Award

  • 1992

    Yamanaka Town Industrial Merit Award

  • 1995

    Ishikawa Prefecture Arts and Culture Encouragement Award Chunichi Cultural Award

  • 1995

    25th Japan Metalwork Exhibition – Commissioner for Cultural Affairs Award

  • 1998

    45th Japan Traditional Crafts Exhibition – Governor of Tokyo Award 28th Japan Metalwork Exhibition – Japan Kogei Association Award

  • 2009

    Sokeikai Foundation Grand Prize

  • 2013

    Medal with Dark Blue Ribbon (2021)

  • 2015

    Awarded The Order of the Rising Sun, Gold Rays with Rosette

The hallmark of Mr. Katsura’s work is a style that seems to bring metal to life. He carries on the techniques of the Yanagawa school, which have been passed down since the early Edo period, and is recognized as a master embodying a lineage of extraordinary metalworking craftsmanship.

I possesses expertise in all metal carving techniques and continues to refine his skills. I also hopes to pass on these techniques to younger generations so that the tradition may continue.

Traditionally, craftworks were both used and appreciated within the home. I wish for people to experience and elevate the beauty of Japanese culture in everyday spaces, filling rooms and homes with art.

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