
I myself am a certified holder in the woodwork technique of kurimono (hollow work). I would like to express what is a three-dimensional form in my kōgei work. Japan has long been a garden of woodwork. We do not know how many wooden products are within our original life. We have spent so much time with them that we are hardly aware of because they are too familiar. Nowadays, wood artworks are almost treated as something special, but I would like to express what form they take in the present day, as something we are not conscious of.